adidas Originals is renewing its collaboration with Avavav for Spring / Summer 2026, continuing a partnership that has become known for its playful distortion of sportswear conventions. Under the creative direction of Beate Karlsson, the latest collection once again challenges the familiar codes of athletic dressing, filtering them through a more exaggerated, fashion-conscious lens that explores performance, femininity, and theatrical form.

A new public sculpture by Banksy has emerged in central London, inserting a pointed political statement into one of the city’s most historically charged civic settings. Installed in St James’s, on Waterloo Place, the work stands among imperial monuments and military memorials, immediately entering into dialogue with the symbolism that surrounds it. Yet rather than celebrating triumph, nationhood, or heroic certainty, Banksy’s intervention offers a far more unsettling image of political conviction.

Kembra Pfahler is the subject of a new monograph that traces four decades of one of contemporary culture’s most uncompromising artistic careers. Published by Rizzoli, the book offers an expansive look at Pfahler’s work through archival photography, performance documentation, illustrations, and visual ephemera, mapping the evolution of an artist whose practice has consistently existed at the intersection of punk, performance, shock aesthetics, and radical self-invention.

Blank Street is stepping into the increasingly blurred space between lifestyle branding and fashion with the release of “The Sleeve,” an accessory that transforms the everyday coffee cup into something unexpectedly style-conscious. Equal parts novelty object and functional design gesture, the launch taps directly into a culture where what you carry can be just as visually coded as what you wear.