Kembra Pfahler is the subject of a new monograph that traces four decades of one of contemporary culture’s most uncompromising artistic careers. Published by Rizzoli, the book offers an expansive look at Pfahler’s work through archival photography, performance documentation, illustrations, and visual ephemera, mapping the evolution of an artist whose practice has consistently existed at the intersection of punk, performance, shock aesthetics, and radical self-invention.

While cities like New York, Paris, Berlin, London, and Barcelona are often credited with shaping the global graffiti movement, Europe’s street art landscape extends far beyond its most obvious capitals. Across the continent, a number of cities have transformed their walls, underpasses, facades, and forgotten corners into living archives of urban creativity.

This autumn, the Paris art calendar will welcome a new addition with the launch of Spera, an urban and contemporary art fair set to debut in Montrouge from October 2 to 5, 2025. Marking its inaugural edition, the event aims to establish itself as a fresh platform within the region’s growing ecosystem of urban art fairs, while offering a format that places equal emphasis on exhibition, accessibility, and direct engagement between artists, galleries, collectors, and wider audiences.

Street art is far from a single visual language. What began as an umbrella term for unauthorized artistic interventions in public space has evolved into a remarkably diverse ecosystem of techniques, materials, and creative strategies.